The Van Swietens: Beethoven: Piano Concertos Nos. 3 & 4 ( CD )
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Title: Beethoven: Piano Concertos Nos. 3 & 4
Artist: The Van Swietens
Label: Ibs Classical
Product Type: COMPACT DISCS
UPC: 8436597700771
Genre: Classical Artists
Release Date: 2024-10-18
Number of Discs: 1
What is lost in terms of orchestral colors is gained in clarity of texture, chamber-music like dialogue and perhaps more importantly an occasion to showcase aspects of string playing (articulation, portamento) as described by the likes of Louis Spohr, who closely worked with Beethoven. It is also the perfect medium to accompany the wonderful instruments generously put at our disposal by Robert A. Brown. Often discussed and a subject of many controversies when tackling the Baroque repertoire, the debate regarding temperament is often cut short in Classical and Early Romantic performance. We do know of Beethoven's preference for Kirnberger III, which we have used for the Fourth Concerto, whilst Young proved a better fit for the tonal discrepancies in the Third Concerto.
Tracks:
1.1 Piano Concerto No. 3 in C minor Op. 37-I. Allegro Con Brio
1.2 Piano Concerto No. 3 in C minor Op. 37-II. Largo
1.3 Piano Concerto No. 3 in C minor Op. 37-III. Allegro
1.4 Piano Concerto No. 4 in G Major Op. 58-I. Allegro Moderato
1.5 Piano Concerto No. 4 in G Major Op. 58-II. Andante Con Moto
1.6 Piano Concerto No. 4 in G Major Op. 58-III. Rondo, Vivace
The Van Swietens: Beethoven: Piano Concertos Nos. 3 & 4 ( CD )
$5.40
Sale price
$5.40
Regular price
$0.00
Shipping calculated at checkout.
Details
Artist: The Van Swietens
Label: Ibs Classical
Product Type: COMPACT DISCS
UPC: 8436597700771
Genre: Classical Artists
Release Date: 2024-10-18
Number of Discs: 1
What is lost in terms of orchestral colors is gained in clarity of texture, chamber-music like dialogue and perhaps more importantly an occasion to showcase aspects of string playing (articulation, portamento) as described by the likes of Louis Spohr, who closely worked with Beethoven. It is also the perfect medium to accompany the wonderful instruments generously put at our disposal by Robert A. Brown. Often discussed and a subject of many controversies when tackling the Baroque repertoire, the debate regarding temperament is often cut short in Classical and Early Romantic performance. We do know of Beethoven's preference for Kirnberger III, which we have used for the Fourth Concerto, whilst Young proved a better fit for the tonal discrepancies in the Third Concerto.
Tracks:
1.1 Piano Concerto No. 3 in C minor Op. 37-I. Allegro Con Brio
1.2 Piano Concerto No. 3 in C minor Op. 37-II. Largo
1.3 Piano Concerto No. 3 in C minor Op. 37-III. Allegro
1.4 Piano Concerto No. 4 in G Major Op. 58-I. Allegro Moderato
1.5 Piano Concerto No. 4 in G Major Op. 58-II. Andante Con Moto
1.6 Piano Concerto No. 4 in G Major Op. 58-III. Rondo, Vivace
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