Carl Stone: ELECTRONIC MUSIC FROM THE EIGHTIES & NINETIES - Vinyl
$13.49
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Title: ELECTRONIC MUSIC FROM THE EIGHTIES & NINETIES
Artist: Carl Stone
Label: Unseen Worlds
Product Type: VINYL LP
UPC: 766008587874
Genre: Electronic
Release Date: 2018-07-13
Number of Discs: 1
Electronic Music from the Eighties and Nineties presents the soothing, hallucinatory side of Stone's slow-evolving, time-bending composition. While we can't always identify the source, we can hear that his sounds come from somewhere, and that there is a "correct" or "complete" version of them in theory; and so we can hear when they are being changed. What drives Stone's music is the flow that he draws out of those differences: the way an Indonesian gamelan morphs into a chorus built from one female vocalist over the course of "Mae Yao"'s twenty-three minutes, the surprise emergence of a Mozart chorus out of the synths and skip-glitches of "Sonali," or the slow, ambient evolution of "Banteay Srey". "Woo Lae Oak," issued in a single side edit for the first time, is an exception. It's samples - a tremolo string and a bottle being blown across the top like a flute - are simple in the extreme. Yet the Stone hallmark is clearly present, he locates the inherent emotional properties of the sounds - the tingling anticipation of the string and the calm nobility of the wind - and takes them into unexpected expressive territory LABEL: Unseen Worlds
Tracks:
1.1 Banteay Srey
1.2 Sonali
2.1 Woo Lae Oak
4.1 Mae Yao
Carl Stone: ELECTRONIC MUSIC FROM THE EIGHTIES & NINETIES - Vinyl
$13.49
Sale price
$13.49
Regular price
$0.00
Shipping calculated at checkout.
Details
Artist: Carl Stone
Label: Unseen Worlds
Product Type: VINYL LP
UPC: 766008587874
Genre: Electronic
Release Date: 2018-07-13
Number of Discs: 1
Electronic Music from the Eighties and Nineties presents the soothing, hallucinatory side of Stone's slow-evolving, time-bending composition. While we can't always identify the source, we can hear that his sounds come from somewhere, and that there is a "correct" or "complete" version of them in theory; and so we can hear when they are being changed. What drives Stone's music is the flow that he draws out of those differences: the way an Indonesian gamelan morphs into a chorus built from one female vocalist over the course of "Mae Yao"'s twenty-three minutes, the surprise emergence of a Mozart chorus out of the synths and skip-glitches of "Sonali," or the slow, ambient evolution of "Banteay Srey". "Woo Lae Oak," issued in a single side edit for the first time, is an exception. It's samples - a tremolo string and a bottle being blown across the top like a flute - are simple in the extreme. Yet the Stone hallmark is clearly present, he locates the inherent emotional properties of the sounds - the tingling anticipation of the string and the calm nobility of the wind - and takes them into unexpected expressive territory LABEL: Unseen Worlds
Tracks:
1.1 Banteay Srey
1.2 Sonali
2.1 Woo Lae Oak
4.1 Mae Yao
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